History's version of Leonardo da Vinci's great painting of the Mona Lisa has been distorted over time.  Though historians now claim that the Mona Lisa had recently drawn smoke from the Great Master's pipe, and that the pleasant, peaceful sensations she was feeling were reflected in that 'enigmatic' smile, a Russian web site now reveals that the smile was induced by no less than the 25-pound, purring cat Ms. Lisa was holding on her lap.

Da Vinci, wary of those haughty Renaissance art critics. removed the cat from the final painting, but the original has been found... in a private collection in Russia.  This gargantuan cat, alas, solves the mystery of the Mona Lisa's smile.


Mona Lisa according to FatCatArt.ruMona Lisa according to FatCatArt.ru


Mysteriously, several other great paintings have been found in the parlors of Russian elites, who love their cat art.  Here is the version of Venus At Her Mirror that you may be familiar with...



Venus At Her Mirror by Diego Velaquez: image via wikipediaVenus At Her Mirror by Diego Velaquez: image via wikipedia



But the Russian Fat Cat detectives found that it was really the big fat red tabby that sat, or should I say, sprawled out, for the painter....


 Venus At Her Mirror according to FatCatArt.ruVenus At Her Mirror according to FatCatArt.ru


Oh, what a lazy lump of fat cat was 'Red.' He'd even pose humped over, as in the original Haystack at Giverny by Claude Monet.  In case you forgot this painting from your days in Art Appreciation, here is the version that Monet had to show his critics...


Haystack at Giverny, Claude Monet: image via arthermtage.orgHaystack at Giverny, Claude Monet: image via arthermtage.org


Lo and behold, look at the sloth of a cat posing for Monet. No wonder, he had to choose Impressionism!


Haystack at Giverny according to FatCatArt.ruHaystack at Giverny according to FatCatArt.ru


Fat Cat Art even found a portrait of the cat that wandered from studio to studio over the centuries to sit for great painters. The cat was apparently named Zarathustra well after the Renaissance, for Nietzsche's notion of eternal recurrence was not published until the late19th century.


Red Square (or Cat's Suprematism), according to FatCatArt.ruRed Square (or Cat's Suprematism), according to FatCatArt.ru


And even this beautiful painting of the Red Square had to be camoflaged by the artist, Kazimir Malevich, because what art critic would take a fat red cat seriously?


 Black Square by Kazimir MalevichBlack Square by Kazimir Malevich


Now, you must go and visit this clever intellectual, political, ironic website, FatCatArt, even if you don't like cats... but especially if you do.   The artist deserves high compliments for his or her expression, but even more for his or her insight.


source: FatCatArt via Sad and Useless


That's the buzz for today!

Originally published March 2012.